Chinati Weekend To Be Held Online

October 9–11, 2020

Chinati Foundation will host this year’s Chinati Weekend and Made in Marfa events entirely online. This will be the most accessible Chinati Weekend to date.

Self-guided Walking Tours at Chinati

As a museum in which art, architecture, and the land are inextricably linked, Chinati is in a unique position to invite visitors to experience Chinati outdoors.

Judd retrospective opens at the Museum of Modern Art, New York

March 1–July 11, 2020

Judd, the first US retrospective of Donald Judd’s work in over thirty years, brings together sculpture, painting, drawing, and rarely seen works from throughout his career to survey the complete evolution of the artist’s remarkable vision.

New Publication—Chinati: The Vision of Donald Judd, Second Edition

Available Spring 2020

March 2020 will see the publication of a new edition of Chinati: The Vision of Donald Judd

Sunset at Chinati

Saturday, February 15, 2020

The Chinati Foundation invites everyone to a special sunset viewing of Donald Judd’s 100 works in mill aluminum and 15 freestanding works in concrete as well as Robert Irwin’s untitled (dawn to dusk) from 5:00 to 6:30 pm on Saturday, February 15, 2020.

Sunset at Chinati

Friday, November 29, 2019

The Chinati Foundation invites everyone to a special sunset viewing of Donald Judd’s 100 works in mill aluminum and 15 freestanding works in concrete as well as Robert Irwin’s untitled (dawn to dusk) from 5 to 6 pm on Thursday, November 29, 2019.

All-Day Winter Solstice Viewing of Robert Irwin’s untitled (dawn to dusk)

Saturday, December 21, 2019

On Saturday, December 21, 2019 the Chinati Foundation will host an open viewing of Robert Irwin’s untitled (dawn to dusk) from 8:00 A.M. to 6:00 P.M. The viewing will be free and open to the public.

New publication—Robert Irwin: untitled (dawn to dusk)

June 7, 2019

The Chinati Foundation is pleased to announce the publication of a new book documenting Robert Irwin’s untitled (dawn to dusk), the most recent addition to the museum’s permanent collection inaugurated in July 2016. The book presents and contextualizes Irwin’s artwork through a photographic record of the installation over the course of one year, critical essays, as well as drawings, plans, and illustrations.