2026 Member Edition

Roni Horn
Constellation, 2016/2026
Pigment print on paper
Edition of 30 + 5 APs
12 ¼ × 16 ½ in.

The 2026 Membership Edition is by Roni Horn, whose work Things That Happen Again (1986–88) was installed at the Chinati Foundation by Donald Judd and Horn in 1988.

Over the years, Horn has developed a multidisciplinary practice that includes photo installation, sculpture, drawing, artist’s books, and writing. The conceptually driven approach engages, among other things, the fluid essence of identity, the pervasive and fundamental reality of paradox, and the importance of the experiential in place and art. Repetition, pairing, doubling, and nuance come up frequently in her art. Since 1975, Horn’s frequent solitary travels in Iceland have been a central influence. Similarly, literature, journalism, and writing, in general, play their role as well, with Horn sometimes employing the written word as her medium.

Horn lives and works in New York and Maine. She holds a BFA from the Rhode Island School of Design and an MFA from Yale University. Solitary travels in Iceland include periods in 1975 and during 1979 to 2015. Recent solo museum exhibitions include Louisiana Museum of Art, Humblebæk, Denmark; Museum Ludwig, Cologne; Centro Botín, Santander, Spain; He Art Museum, Shunde, Foshan, Guangdong, China; Bourse de Commerce, Paris; Pola Museum of Art, Hakone, Japan; Fondation Beyeler, Basel; and the Menil Drawing Institute, Houston.

2025 Member Edition

Katharina Grosse
Untitled, 2025
Offset print on archival paper
Edition of 50 + 5APs

The 2025 Membership
Edition is by Katharina Grosse—a
1999 Chinati Artist in Residence
internationally recognized for her
site-specific work sprayed directly
onto architecture, interiors, and landscapes.

Approaching painting as an experience
in immersive subjectivity, Grosse
uses a spray gun, distancing the artistic
act from the hand and stylizing
gesture as a propulsive mark. During
her 1999 residency at the museum,
Grosse employed this technique to
color the interior of the Locker Plant
exhibition space in vibrant, cloudlike
forms and mists of color.

Recently, Grosse has exhibited at
Carriageworks, Sydney; the National
Gallery, Prague; and Gagosian,
Britannia Street; as well as at Art Basel
2025, where Grosse painted the
public square Messeplatz, the largest
urban installation of her career.
Grosse’s work can be found in the
collections of the Centre Pompidou,
Paris; the Kunsthaus, Zurich; the Museum
of Modern Art, New York; as
well as other institutions.